ALbum news

Out Now:
My Vielle and The Rest

My Vielle and the Rest is a collection of 12th and 13th century songs, mainly but not only composed by troubadours and trouvairitz, presented as instrumental music in their most profound and most candlelit form. Only the bonus track is originally an instrumental piece found to be notated at a later century. The entire album is a duo between the instrument vielle and the silence, as hinted by the title. Each track is the result of a thorough research starting from the (if available multiple) manuscript/s, and a translation work that swims through Old Occitanian, Latin and other languages songs were originally written in, to get the essence of the song out without using the human voice. Perfomed by Esin Yardimli Alves Pereira on her instrument Venus the Vielle, an instrument funded by The Wandering Bard supporters and made specially for her by Orlando Trindade, this album is made to experience the silence, enjoy the darkness and cherish everything one finds within.


Three singles from the album “My Vielle and the Rest” were released during the album preparation. “Caritas abundat in omnia” by Hildegard von Bingen is a piece with a deep, dark and determined air, while Gaucélm Faiditz’s “Lo gens cors onratz” is an inviting, bittersweet and soothing musical wonder, followed by “Si ai perdut mon saber” by Ponç d’Ortafà, a melody so magical that it is uncertain what the audience can find in it regarding happiness or sadness. 

ALbum news

Coming Soon:
Streams of Tranquility

In his third solo classical guitar album Streams of Tranquility, Ricardo Alves Pereira explores the still and the beautiful. The immersive and modern melodies weave the album’s soundscape into the depths of calmness within the contemporary music scene. Aside from presenting his skills as a classical guitar player, in this album Ricardo Alves Pereira also shares his composer side with the audience; and it is fresh, intimate and inviting. 


Three singles from the album are released in advance to present the ambience experienced throughout the album composed by Ricado Alves Pereira. “Stardust” is an instrumental love song inspired by the thought that everything in our world, including ourselves, is made of stardust. “The Timeless I: Into Oblivion” fully envelops the listener with a feeling of endless adrifting. “Nocturnal Voices II: Nightwalker” is a musical expression of calm darkness and continuous wandering in the still night.

Listen Now


Cinematic music, early music and world music works from 2022

“The Foundation” is the second solo guitar album of Ricardo Alves Pereira. It is a complete collection of works first published in 1836, known as the Introduction à l’Étude de la Guitare, Op.60, written by composer and virtuoso guitarist Fernando Sor, one of the most famous musicians of the classical and romantic era. 

Epic. Determined. Deep. Bittersweet. Hopeful. Powerful. These are just a few words to describe the music Esin Yardimli Alves Pereira composes and orchestrates with her beloved violin and viola. In this volume of The Songbook of Tchinar, the audience is invited to yearn for more and get driven to dare. 

With their 5th album, The Wandering Bard presents yet another legend from the “Manuscripts of Leyriath”. In this collection, the eternal works of Claudio Monteverdi, Luis de Narvaez and Alonso Mudarra can be enjoyed in a way that was never heard before.


The Path of Moonlight


When asked about her powers and whether one could learn the power of words as well as she did or not, the Mistress of Words would smile, nod her head “yes”, and she would say that it was pretty easy. With enough curiosity, one could learn anything easily. And then she would tell this story:

Once upon a time, there was a girl. She had olive skin, curly and flame colored hair and a mighty curiosity for figuring how things worked. For her, magic was in the mechanics, not in the songs and spells. She liked studying all gadgets, tearing them into bits and pieces to really learn how they were madi. She could fix all her friends’ toys before she could reach a tavern’s counter; she could even mend the toys that needed winding up that came with all sorts of wheels and gears. And even though she was too short to reach, she loved to be by the counter in the tavern; the tavern in the center of the village by the river Liz on one’s way to Ervarya, for folk of the village would always meet there and they would pass on stories and lore to each other while merrymaking…

8475 words / 25-35 minutes (reading order is not required to enjoy the works)


About CordaSonora

CordaSonora, found by Esin Yardimli Alves Pereira and Ricardo Alves Pereira, began with the purpose of providing artistic and promotional material for ensembles the two musicians were participating in, extending from early music to jazz
. In years, the content creation grew into a record label and photography/video production tailored for each formation.

CordaSonora team believes in artistic independence. Ricardo reflected this on his solo classical guitar career through Musical Narratives, a technique to redefine the concept of concert repertoire and storytelling; and Esin expanded her career as a violinist from metal to jazz to world music and composing, aside from her international classical training. Their search for independence merged together in the first ensemble they became founding members of; the TWB ensemble (The Wandering Bard) recorded their first LP with the recording gear Esin obtained through winning the Outstanding Talent Award from the Keep An Eye Foundation for her participation as the concert-master of the Jong Metropole 2017 project that lead to her investment in music production and sound engineering. This became the beginning of a journey that is getting better by the minute.

The CordaSonora philosophy is about presenting the product from a 100% authentic and autonomous channel; which is why not only the audio production but the visual content presented in this page are provided by the musicians themselves.

Enjoy your reading :)